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![]() Where classic amps in a similar style may have over-accentuation in certain undesirable frequencies when cranked, MDP technology helps to get a more balanced, clear tone.X-HI GAIN* — a thick, high gain sound which uses Multi-Dimensional Processing to enhance string separation and dynamic response.X-MODDED* — following in a long-standing tradition of modded and hotrodded amps, this amp picks up where X-HI GAIN leaves off, with a bit more saturation, a bit more kick and just a bit more.X-DRIVE BASS* — a driven bass amp sound that has a wider dynamic range than traditional bass amps. Here's some light reading about MDP if you've got some time.X-CRUNCH* — a mid-focused, medium gain amp great for using with single coils to add some Texas fire to your tone, or switch over to humbuckers for some 70s classic rock vibes. In the most simplistic sense, MDP separates an input signal into the various frequency constituents (for example, treble, mids and bass — but at a much higher resolution than that), and processes/analyses each one separately to achieve a higher level of clarity and dynamics. It has a balanced voicing with responsive EQ controls and a smooth gain curve to allow the inherent tone of your bass to shine through.The X- amps are an extension of the MDP (Multi-Dimensional-Processing) technology used in the X-series compact pedals such as DS-1X, OD-1X, CP- 1X. Otherwise, wind the gain RIGHT UP (and gain on GT-1000 amps goes past 11 all the way to 120%) for a juicy, fire-breathing high gain tone in the vein of “super hotrodded” amps.NATURAL BASS — a natural clean sound specifically designed for bass. Assign L And R Keys To Emulator Full Range FlatIn this page, company names and product names of the respective owners are used because it is the most practical way of describing the sounds that are modeled using BOSS technology.Aside from the standard amp EQ controls, you might also see two that you’re less familiar with.The GT-1000 is an extremely versatile processor, and the way that you hook it up to your setup will depend entirely on how you intend to use it.If you’re using the Line Outputs (1/4” or XLR), it’s recommended to connect directly to a good Full Range Flat Response (FRFR) speaker — two if you can manage it, for all the fun stereo possibilities. Switching from the default setting of Middle to High can help bring out the best in these amps!In addition to these original AIRD preamps, the GT-1000 also contains a stable of “classic” amps, modelled using the new AIRD philosophy for fantastic touch responsiveness and next level dynamics.Classic amps include: –JC-120 (models the classic Roland JC-120 combo) –Twin Combo (models a Fender Twin Reverb) –Deluxe Combo (models a Fender Deluxe Reverb) –Tweed Combo (models a Fender 4x10” Bassman) –Diamond Amp (models a VOX AC30) –Brit Stack (models a Marshall 1959) –Recti Stack (models the channel 2 MODERN MODE of the MESA/Boogie DUAL Rectifier) –Match Combo (models a Matchless DC-30) *Added in Version 2 update –BG Combo (models a MESA/Boogie combo amp) *Added in Version 2 update –ORNG Stack (models the dirty channel of an ORANGE ROCKERVERB) *Added in Version 2 update –BGNR UB METAL (models the high-gain channel of a Bogner Uberschall) *Added in Version 2 update –Concert (bass amp — models an Ampeg SVT) *Added in Version 3 update*Company names and product names appearing above are registered trademarks or trademarks of their respective owners. This means that it sounds great for technical playing and extended range basses!*Tip for the MDP amps — experiment with the Gain SW control. Not full range like a PA), which means you should turn off the cabinet simulation on the GT-1000 when using it in this way.If you’re using only the effects, you can either run straight into the front of your chosen clean amp, or use the 4 cable method to give you the flexibility to position any of your effects before or after your amp’s preamp. It's important to remember that Katana amps have a guitar-voiced speaker (i.e. Connecting to the rear-panel Power Amp In jack bypasses Katana MkII's preamp and effects, letting you tap straight into the Tube Logic power section, complete with grab-and-go Power Control. Download gambar dan kata kata lucu bahasa sundaFor the most reproducible results, it is recommended to run into the effects return of an amp if possible so that the preamp of the amplifier isn’t coloring the tones from the GT-1000.If you’re playing guitars with very large differences in output (for example, low output Strat pickups vs high output EMGs), you might want to adjust your input signal so that the GT-1000 is “seeing” a decently hot signal so that the AIRD amplifiers give you the optimum dynamics and tone that they’ve been tuned for. While you can certainly run the GT-1000 into the front input of an amp (provided you have selected the correct Output Select Mode), realistically the tone stack (treble/mids/bass) settings of the amp will have some degree of effect on your tone. The GT-1000 will then adapt its output signal for that particular amplifier to give you a full-range tone reproducing the full dynamics of the AIRD preamps. No problem! In Output Select, change your output mode from Line/Recording to either Katana 100 input or effects return (depending on which one you’re connecting to). For example, you’ve programmed all your tones using the AIRD amps, show up to the gig and instead of a FRFR speaker, the venue has provided a Katana 100 amp. The possibilities are endless!Here’s a handy link if you want to learn more about the 4-cable method.Refer to the EFFECTS LOOP section for information on how to use the GT-1000’s loops.If you’re got an amp as backline for a gig, or prefer monitoring through a normal guitar amp, the GT-1000 has handy Output Select modes that you can choose depending on what amp you’re running into.
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